Archive for the ‘History’ Category
My favorite works of architectural criticism (by authors Cesar Daly, Montgomery Schuyler, Lewis Mumford, and Ada Louise Huxtable) are put to shame by pre-modern forms of architectural criticism. If today we consider the criticisms of buildings in newspapers and magazines to partially determine their value and fate, in the pre-modern era one might look to strange [...]
Since at least the 19th century, various upper-class social explorers have posed as people of a poorer class to explore the particular inequities of slums, sweatshops and marginal spaces of urban vice. The exploits of these actors were reported back to middle and upper class readers who were often shocked by the world inhabited by [...]
Susan Sontag’s vaguely noirish, Chandleresque and glamorous crit of the Seagram Building — “Like a gigolo’s hand up a silk stocking…” Need we say more? Watch it all below. *ps: and for contemporary hpstr-esque criticism, check out this hilarious post (first architecturally spotted by Owen Hatherley).
Malcolm Gladwell’s discussion of the possible forgery of the Getty Kouros sparked the following post/thought/project. If the Kouros was forged, then those that pulled off this particular forgery applied a type of mold (potato mold) to the Kouros to give it the appearance of something ancient — something buried in the earth for hundreds of [...]
We are wrapping up the (hopefully) final version of the proposed plume/idling installation. The project is a reconstruction of an exhaust plume from the busses once inside the original SOM bus shed that is now the California College of the Arts (where I teach). The latest version of this project (above) involves filming one of [...]
News item….You must see the latest issue of the Architectural Association journal — AA Files 57. Not only does it have excellent articles by — most-favored-historian-status types — Mitchell Schwarzer and Briony Fer, but it contains the brilliant “Olfactory Reconstruction of Philip Johnson’s Glass House” by Jorge Otero-Pailos. It’s the first, “scratch and sniff” history [...]
This will sound a bit grandiose; but it was a fun exercise: I was putting together readings for this semester’s classes while also examining the UK Royal Collection of architectural theory. The Royal Collection holds the tutorial images and texts that the architect and theorist William Chambers made for the future King George III. [...]
{Above, David Copperfield makes the Statue of Liberty disappear] While some of my very favorite texty types are predicting the future, we might reflect on our more traditional role as commentators on the past. Five years ago when my partner and I were beginning our PhD’s we sat at a restaurant table with some of [...]
“The bourgeoisie mistakenly believes that the end of his world is the end of the world” Karl Marx We’re growing weary here reading end of the year blogs by historians, theory types, and writers that predict the end of this and the end of that. The responses to the housing and economic crisis escalate. We [...]
A few weeks ago I read Jeffrey Schnapp’s excellent essay “The Face of the Modern Architect.” This essay is part of a small handful of essays and book chapters that examine the ways architects control the image of their discipline through portraiture. Schnapp traces the eyeglasses, ties, pipes and cigars that accompany most portraits of [...]
In a post a few weeks ago, I explored how certain archives appear horrific. I argued that certain archives are scary because their particular form of organization (or disorganization) is scary. This “archive horror” extends into another image — the image of the scary archivist. If the scary archive is that space that an experimental [...]
A few days ago I looked at new posts on some of the most popular architecture blogs, and I left wondering why the overall mood of these blogs is so consistent when the particular content of them is not? Why does it seem that posts on subjects as different as military landscapes, tunnels, or moving [...]
Many of the scary creatures that lurk in horror movies, such as vampires, blobs, and robots, are a type of archive – a horrific archive. For example, I was watching HBO’s new series “True Blood” and the protagonist, the vampire “Bill”, told his love-interest “Sookie” that once he drank her blood he would have “a little [...]
Probably all of us who work in the architectural HTC area have heard stories about how architectural thought–particularly architectural theory–increases in times of economic hardship. When the markets are down and the economic indicators turn south, the architect begins to think, to write, to theorize. When the markets are up we “do” and don’t think [...]
This is the earliest image I can find from the history of architectural theory that explores the inter-relationships of an assembled crowd, their leader, and the larger space in which this assembly occurs. This is from Eugene Emmanuel Viollet-le-Duc’s “Dictionary”* — the important book, published in the mid-19th century, that examined Medieval architecture and its [...]
We are settling on the above image for the plume/idling project — the reconstruction of an exhaust plume from the busses once housed at CCA. The image does not look like exhaust per se; in fact, it could easily be a reflection of a cloud from outside the building — through the skylights. And that [...]
In this project we continue to revisit experimental acts of architectural historical reconstruction. The California College of the Arts (where I teach) is housed in a former bus maintenance shed designed by Skidmore, Owings and Merrill in the early 1950s. The space must have been filled with a somewhat foul milieu from the idling busses [...]
Architectural theory is often considered a process of writing (and often denigrated as a result), but the production of architectural thought always engaged other tools of expression besides quill, pen, pencil, typewriter, or computer. Some of the most significant written innovations in architectural theory are interlaced with tools of inquiry that lie outside those directly [...]
Within architectural history the edge between modernity and late-modernity is filled with images of the elderly, mostly elderly women. We see this most famously in the photographs of the Vanna Venturi house and Guild House, by Venturi Scott Brown and Associates. Because the most staged and circulated images of these buildings include images of women, [...]
In 1996 a former architectural history professor of mine at Columbia asked me how I enjoyed being a student at the Yale School of Architecture, particularly how I enjoyed being an inhabitant of Paul Rudolph’s Architecture + Art Building. Like virtually all students who have been in that building, I think the building is an [...]


















